Why were rag rugs popular in the 19th century?
Every rag rug is a unique hand-made piece of craftwork, and so it seems ironic that new industrial methods of textile production gave rag rug-making a big boost in the 19th century.
Rugs made from strips of cloth existed well before factories began producing cheap fabric, but not in anything like the same quantity. Even in quite poor households, rag bags of the 1800s were filling up with old clothes and scraps left over from dress-making. In the factories, there were clippings and oddments to be sold off cheaply or swept up by employees. Cotton feedsacks gradually became available too. Rag rugs created from scraps on a woven background (the second kind in the list below) could use old jute sacking or cheap burlap as a foundation. These materials were easily available in many parts of North America and Europe by the middle of the 19th century. With time, and a little skill, many families could warm and decorate their floors.
By about 1900, some rag rugs were less about thrift, and more about craft. There was a movement towards careful design, and more elaborate techniques, and it became more common to buy and/or dye fabric with particular patterns in mind. This interest in rug-making as an aesthetic craft was stronger in the US than in the UK, where rag rugs continued to be popular in poorer homes into the mid-20th century but were often considered “working-class”. American county fairs and exhibitions offered prizes for rag rugs alongside patchwork quilts and other textile arts.
There are many varied ways of making cloth remnants or “rags” into floor coverings, but here is a brief outline of the types known in the Victorian era.
- Rugs woven on a loom: perhaps a linen warp thread with wool or linen strips used for the weft. These are probably the oldest kind. “List carpets” in 18th century England and colonial America were one of the cheapest kinds of soft floor covering. Sometimes woven lengths were sewn together to create rag carpeting.
- Rugs made with cloth scraps looped through a loosely-woven canvas or burlap background. The rags can be hooked through from the upper side or poked through from underneath, creating varying surface textures from smooth to tufted. Implements for hooking or prodding ranged from home-made wooden pegs to factory-manufactured latch-hooks.
- Rugs made by coiling joined-up lengths of rag. The coils of braided rugs, or mats made from fabric-covered cord were fastened with thread stitching or binding; crocheted versions need no sewing.
- Rugs, often small door-mats, made by stitching scraps onto backing material. Tongue mat is one name for these, based on the tongue-shaped pieces used in one popular design.
Note: The UK had a large number of different regional names for the rugs in the second category, like clootie, proggy, proddy, clippy, stobbie or peggie rugs or mats.
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I grew up in the 1950s and 60s and remember how my grandmother used to make braided rag rugs. She collected used clothes for her church, and kept an eye out for those made of wool. If any had moth holes or were otherwise unsuitable for wear, she cut them up into strips and braided the strips together using a metal device that folded the raw edges inward so they wouldn’t show. When she had enough braided strips she sewed them together end-to-end and coiled them into a rug, alternating colors to create various designs, using a darning needle and sturdy cotton thread to join the loops together. Some of those rugs were quite beautiful.
Chris – your comment really brings home some of the things I like about rag rugs. You don’t just make something out of nothing, you make something beautiful out of nothing – and it often comes with memories too. Real creativity.